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There is no deep significance to this video whatsoever. It is 10 minutes cut from the middle of a F blues solo jam that ran closer to 38 minutes total. I haven't uploaded anything in a long time, so this one goes out to all the subscribers that have joined my channel in the last couple months. Hats off to you. I figure this is 216 beats per minute, so about 45 choruses in this clip. I don't think it's excessively repetitive myself, although my left hand could stand some more variety. The bit at about 6:48 could be a nice head, if you're into that sort of thing. I should transcribe it. And the lick at 8:16 was transmitted into my brain from some sort of alien craft. Even the voices in my head never saw that one coming.

Channel: Music
Uploaded: December 31, 1969 at 4:59 pm
Author: volvoxburger

Length: 10:00
Rating: 5.00
Views: 4465

Tags: bebop  blues  bozo  content  improv  improvisation  jazz  original  piano  solo  spoo  

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Video Comments

saintdo (December 31, 1969 at 4:59 pm)
great
PEACequaLsanityWORLD (December 31, 1969 at 4:59 pm)
gr8playing!
dancingqueenn (December 31, 1969 at 4:59 pm)
I try to imitate what you are doing, but I'm baffled by your chords. This is blues in F, but I don't really see what your substitute chords are for F. I see chords like BbMAJOR (inverted) and maybe Dm7-5. You are one advanced player! I listen to bebop players like Bud Powell and Monk. Who are your main influences, and is there a book that best explains your chord changes? thanks
volvoxburger (December 31, 1969 at 4:59 pm)
Yeah, and the tripod is duct taped to the harp. Camera wanted to fall forward and bonk my noggin otherwise.
volvoxburger (December 31, 1969 at 4:59 pm)
Following that I'm just playing a bop scale-like lick downward over the turnaround F7-D7-Gmi-C7 in the last two bars (almost a Donna Lee quote) down to E but I do one of those dim scale walkups (E G Bb Db) real quick to get back up to C and scale down to F7 on the one.
volvoxburger (December 31, 1969 at 4:59 pm)
The things out of that article that I do repeatedly here are surrounding a chord tone and walk up a dim 7th like you pointed out. I play D7->Gmi there by walking up the dim chord that corresponds to D7, but beat 4 there is the note just above and just below G, which is the down beat. I anticipate the change from Gmi to C7--the "Donna Lee" lick there is happening on beats 3 and 4 of the Gmi bar, then I sort of re-run it over C7 when it does change.
volvoxburger (December 31, 1969 at 4:59 pm)
So the bop scale idea is just to get you feeling the "chord tones on down beats." It's a somewhat formulaic way to acheive that effect, and get a stronger line. It's not the only way though.
Lot2learn (December 31, 1969 at 4:59 pm)
Great energy and lines. You are a bop maniac! I love it. So you actually had to remove the fallboard to get this shot?
ColdBuffetKing (December 31, 1969 at 4:59 pm)
Hello, 9.07 to about 9.15. What are you doing there? By the way, where are you using the bop scale in this piece dude? Absolutely great. Where can I buy ur CD? James
ColdBuffetKing (December 31, 1969 at 4:59 pm)
Hey look I've worked it out already. You use it 4or 5 times through-out the solo and its easier to pick it up later on. Thanks so much for your vids, I 'm learing alot for bop usage. Like the quotes in there too. Giant Steps would be a great to watch too. James James

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